THE PLASTIC TREATMENT OF UTOPIA AND DYSTOPIA IN THE DESIGN OF ROBOT CHARACTERS IN CONTEMPORARY ANIMATION FILMS

Document Type : Articles and research extracted from theses

Authors

Graphic department - Faculty of Fine Arts - Helwan University, Egypt

10.47436/jaars.2022.114267.1062

Abstract

The idea of the research is summarized in a philosophical view of the plastic treatment of the idea of utopia and dystopia in the design of characters in animation films, and the importance of the artistic and dramatic role of robots as one of the main elements in the various styles of animated films, series, animation works, character designers, backgrounds, and studying the influencing factors that show the image that They appear in graph, histogram, graphic, histogram, schematic diagram, primary films..etc..Animation films are fundamentally related to the plastic arts and the extent of their development to include the modern and commercial teacher in the production of animation films. The focus was also on the dramatic dimension of robotic characters, where the dimensions (psychological, social, and physical).

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References

زكريا إبراهيم، مشكله الإنسان: مكتبة مصر: مصر القاهره، 1990. صـ 313.
2 طالب عمران – فى العلوم والخيال العلمى – منشورات وزارة الثقافة –دمشق – 1989 صـ 315
3 إدوارد كانافاجيو – ترجمة أحمد الطبال – معجم الخرافات والمعتقدات الشعبية فى أوربا – المؤسسة الجامعية – للدراسات والنشر والتوزيع – الطبعة الأولى -2013
 
English language references:
Zakaria Ibrahim, The Human Problem: The Library of Egypt: Cairo, 1990. p. 313
Talib Omran - in science and science fiction - Publications of the Ministry of Culture - Damascus - 1989 p. 115
Edward Canavaggio - Translated by Ahmed Al Tabbal - A Dictionary of Popular Myths and Beliefs in Europe - University Institution - for Studies, Publishing and Distribution - First Edition -2013

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