SUBLIMATION PRINT AS A CREATIVE MEDIUM IN CONTEMPORARY INSTALLATION

Ahmed  Ali Habib, Mohamed Eid

doi:10.47436/jaars.2023.203324.1138

SUBLIMATION PRINT AS A CREATIVE MEDIUM IN CONTEMPORARY INSTALLATION

Document Type : Specialized scientific research papers

Author

Mohamed Eid Ahmed Ali Habib

Graphic Department – Faculty of Fine Arts – Helwan University

10.47436/jaars.2023.203324.1138

Abstract

The artists followed many methods in processing the printing techniques, some artists employed them to reflect their philosophical thoughts. Thus, many presented works depended, considerably, on the philosophical vision and the conceptual content, even at the expense of the visual artistic vision and the constitution of the artistic work, which is termed as the conceptual art that is regarded a main source for the arts of post-modernism period. This artistic trend emerged firstly in America and Europe by the late 1950s, then prevailed the world. Some argued that using the new technological inventions reduced the executive stages of the artistic work and enabled the artist to get over the problems of implementation and the other issues in order to sail freely throughout his philosophical thoughts. During the time of developing the artistic installations, some objections were found that refuse the singularity of these works, so that the artist of installation sought to the possibility of achieving the process of reproduction, as installation found to be the best artistic form to achieve that. Thus, they combined between installation and printing, as installations were designed as unique experiences. But now, by the presence of installations based on printing arts, especially sublimation printing, the installation gained the feature of multicity. Thus, many options could be offered for the same installation to be displayed in different places and times. Thus, the stimuli varied, and the most important was the various forms of prints during 21st century.

Keywords

Main Subjects

Research in the fields of Visual arts (Painting, Murals, Graphics, Animation and Book Art, Sculpture).

References

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Mohtaseb, Maram Saeed Ali: “A Contemporary Vision of Transparency and its Relationship to Emptiness in Contemporary Structural Weaving Art”, Journal of Fine Arts and Art Education, Volume Two, Issue Two, July 2018.

Habib, Mohamed Eid Ahmed Ali ,2020, “Presence and Absence Dialectic in Graphic Arts”, unpublished dissertation of PhD, faculty of fine arts, Department of printed designs, Helwan University.

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