IMPACT OF MASS ACCUMULATION AND VACUUMS CONSTRUCTION IN THE INTERNAL ENERGY OF SCULPTURAL WORK

Document Type : Invited editorial articles

Author

DEPARTMENT OF SCULPTURE - FACULTY OF FINE ARTS - HELWAN UNIVERSITY - EGYPT

10.47436/jaars.2021.102306.1057

Abstract

In the light of the current age of modernity, the extreme overlap between the mass of information and the diversity of artistic trends with the freedom of the artist, and the emergence of many techniques and treatments with the diversity of media and goals with modernist techniques, the work of art has become a vast arena for all modern man's interactions and discoveries to overcome his bewilderment, pain and conflict with contrasts. Many concepts emerged in the sculpture arts to organize and coordinate blocks with space. One of them is the concept of accumulation, which is a compact cluster of sculptural masses, which causes visual and expressive perceptions of infinite interaction. And I've taken this formative approach in my career, after studies of natural and geological forms and their structures, and taking advantage of methods that are biologically and geologically based on the accumulation of rocks and the movement of waves, with a specific system. (Mathematical) This accumulation is matched by a balanced and sober construction of the concept of the deconstruction of components and blocks to include Dialoga's stylistic, motor, and visual work that confirms the relationships of the masses with the ambient and permeated vacuum. This makes the sculptural values effective and activates the imagination of the recipient in calculating the balance of the masses and their expressive and analytical relationship.
 

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References

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